More girly-girl practice, the colors remind me of carrots :)
HEY WRITER FRIENDS
there’s this amazing site called realtimeboardwhich is like a whiteboard where you can plan and draw webs and family trees and timelines and all that sort of stuff. you can also insert videos, documents, photos, and lots of other things. you can put notes and post-its and, best of all, you can invite other people to be on the board with you and edit together!!
this is really really awesome and a great tool for novel planning, so if you’re doing nanowrimo…. this could be good for you!!
Yes yes yes yes
Avoiding homework again~
In the past few months, debate surrounding the use of racial caricatures as pro sports mascots has reached a fever pitch. Just ask the Washington Redskins, who’ve endured significant backlash for both their refusal to change their name and their half-assed attempts to placate their critics.
But a few miles west, fans of the MLB’s Cleveland Indians are taking a stand. In a motion of solidarity, a small but growing number have been “de-Chiefing” their paraphernalia by removing the offensive “Chief Wahoo” mascot from caps and jerseys that bear its likeness.
Just a doodle of a pretty lady~
A self-portrait with a loish painty style!
I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>
I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.
Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.
The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.
A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.
Best used for smooth blending, washes, gradients, and smoky atmospheric effects.
Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.
To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!
Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!
Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.
Hope that helps!
** REBLOG AND WIN ** The Ultimate Megapack for Photoshop has been updated and now contains over 100 brushes for the same discounted price as the original pack.
This is my best-selling set and it includes a wide range of incredibly realistic pencils, inks, gouache, oil and acrylic brushes, as well as some FX brushes, erasers, blenders and smudge tools. There is even a perspective grid brush.
THREE random Tumblr followers who reblog this post will win a free Megapack on Sunday, March 30th (Value: $13).
Thanks for the support, artist friends, and happy painting to all!
Being privileged doesn’t make you a bad person, denying your privilege does.
Having privilege doesn’t mean that your life is sunshine and rainbows. It means that society favors people like you.
Your personal experiences do not erase your privilege.
Don’t be upset about being told you are privileged, be upset that the things systematically given to you are denied from others.
I’ve never thought about it this way. It still bugs me that you can be insulted for the life you were born into and have no control over. But I’ll try thinking about it more like this.
"This is what the next generation of engineers looks like
Black Girls CODE introduces young girls of color to computer programming, mobile app development, robotics and other STEM fields, so the girls can learn how to build the tools they want to see in the world. The non-profit is a global organization, with chapters in Oakland, Calif., Atlanta, New York and even South Africa, with expansion to eight more cities planned for next year. Every chapter targets girls of color between the ages of 7 and 17, formative years for capturing the girls’ interest in STEM and building their self-confidence.
"Science is magic, and our girls are opening their eyes to the fact that they can learn to become the magicians," says Bryant, who launched the company with a class of 12 girls.
But the reach of Black Girls CODE has grown exponentially in two years; the roster now exceeds 2,000 girls. Bryant was named one of the White House’s Champions for Change in the tech sector, and Black Girls Code was named one the “2012 Most Innovative Nonprofit.”